A warning – below the dividing line is a long series of massive spoilers for Star Trek Into Darkness, the latest film in the franchise, currently in cinemas worldwide.
During the last week I’ve watched the first 7 Star Trek films starring the original characters, as part of a review for Ann Arbor Review. This weekend I saw Star Trek Into Darkness in the cinema.
For those with only a superficial understanding of the Star Trek franchise, the first 6 films followed the original characters – Kirk, Spock, McCoy, Scotty and all. There were then 4 film starring the The Next Generation cast – Picard, Data, Worf. The 11th film, directed by JJ Abrams has a time-travel/history-changing central idea, and stars the original characters at a younger age, played by different actors.
Into Darkness is the 12th film in the Star Trek franchise overall, following directly on from the 11th.
Star Trek Into Darkness is exciting, fast-paced, filled with obvious references to previous parts of the franchise, but there were a few times that made me laugh at how little skill the material was handled with.
I didn’t find Final Frontier, a notorious mess, as bad as Into Darkness. I’m pretty certain I laughed more at The Voyage Home, but that’s actually meant to be a comedy.
I’ve been thinking about what I liked and didn’t like in each, and have come up with 4 components to doing Star Trek right. It should be
- Superficially exciting
- Have strong character definition and interaction
- Have meaty moral or philosophical arguments
- Take place in a well-structured universe with understandable scientific and political rules, even if the science differs from what we know to be true.
Most versions of Star Trek don’t meet all four – for example the first film (The Motion Picture) is incredibly slow, failing the first requirement. First Contact doesn’t have much in the way or moral arguments, and there are notorious episodes that fail all four, even from the classic series, such as Spock’s Brain, where aliens steal… Spock’s brain.
Into Darkness certainly meets the first requirement – being up there with the best of Star Trek in excitement, and achieves a pass on the second requirement, even though it’s a mixed success.
The third and fourth it fails miserably.
I’ve been thinking, both while watching and reviewing the first 7 films, and after seeing Into Darkness, about what I like and dislike about Into Darkness. I’m going to put a few thoughts down.
As a warning, the following is going to be absolutely packed with spoilers for Star Trek Into Darkness. Read on at your own peril.