Analysis

Mythos in Star Trek Discovery 1.13: What’s Past is Prologue

This blogpost is focused on looking at how What’s Past is Prologue, the sixth episode of Star Trek: Discovery fits into the events and themes of the previously established universe. I’ve written similar blogposts looking at each previous episode (you can read the first here, and a full list under the Star Trek Discovery tag).

Climate Change

The Terran Empire’s toxic approach to the mycelial network is essentially a fossil fuel metaphor. Whereas the Prime Universe crew are conscientious about doing as little damage as possible, the Charon’s mycelial power core poisons the wider mycelial network while drawing power from it. Saru to be shocked by the Terran Empire’s short-sightedness, given that the process means that eventually, in Stamets’ words, “life as we know it will cease to exist”.

This recklessness works as a parallel to the real-world use of fossil fuels. Despite its hippyish idealism, the Star Trek franchise hasn’t touched on climate change and environmentalism as often as might be expected. The most notable exception is the TNG episode Force of Nature – built on the premise that warp engines damage areas of space which have excessive warp travel, an issue which isn’t revisited on-screen. (I’ve read that the reason Voyager’s warp nacelles physically rise before the ship goes to warp is to counter this effect, though I’m not sure whether this is canonical.) The climax of What’s Past Is Prologue implies that this analogy won’t be immediately revisited, but it’s a storytelling device that DIS could reuse in future.

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Analysis

Mythos in Star Trek Discovery 1.05: Choose Your Pain

This blogpost is focused on looking at how Choose Your Pain, the fifth episode of Star Trek: Discovery fits into the events and themes of the previously established universe. I’ve written similar blogposts looking at each previous episode (you can read the first here, and the fourth here.

Sometimes Down is Up

For the third time in five episodes we begin by viewing things from an unusual perspective, in this case a dream sequence in the halls of Discovery. (The Vulcan Hello begins by moving through a star cluster and through T’Kuvma’s eye; The Butcher’s Knife begins inside a replicator.) Approaching the familiar from odd angles and re-examining what we thought we knew appears to be a key theme for the show.

For example, Discovery draws on Lower Decks, the TNG episode which followed junior officers rather than the senior crew. After three episodes on Discovery we know very little about Airiam, (the android or cyborg who seems to be Discovery’s second officer) and Culber refers in this episode to “the CMO” implying that he is not the ship’s Chief Medical Officer. Normally all of the senior crew would be introduced in the opening episode, and be the focus of the show.

Similarly, it’s unusual to get the viewpoint of a non-Starfleet Human who’s expressedly against the actions of Starfleet. From across the whole franchise I can only think of Harry Mudd, Carol and David Marcus, Joseph Sisko, and you could arguably include Michael Eddington and Mortimer Harren on that list. Breakthroughs in science and diplomacy often require a shift in perspective, such as Stamets’ observation that (in Star Trek science) physics and biology are fundamentally the same. Discovery appears to be encouraging the viewer to look at the familiar from a fresh angle.

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Analysis

Mythos in Star Trek Discovery: Context is For Kings

This blogpost is focused on looking at how the Star Trek Discovery episode Context is for Kings fits into the events and themes of the previously established universe. I’ve written a similar blogpost looking at the first two episodes, and one specifically looking at how The Vulcan Hello explores how phrases can have different layers of meaning to different groups.

The Future is an Undiscovered Country

In a throwaway line, Captain Gabriel Lorca seems to regret that “the future happened”, which affected his family’s restaurant. This kind of thing is, to me, one of the best arguments for continuing the Star Trek franchise. We’ve seen Star Trek‘s utopian vision before, but contextualised against the Cold War and the ‘end of history’ period of the 1990s, never contextualised against the real world of the 2010s.

In the real world we’re currently going through a period of ‘digital disruption’ with new technologies throwing old business models into chaos. Think of taxi firms facing the challenge of Uber; newspapers facing the challenge of free-to-access websites. Since TOS, it’s seemed that the 23rd century Federation relies on a combination of ‘food synthesizers’ and real food, suggesting that this is a period of disruptive innovation. In England of the 1810s innovations in weaving technology allowed owners to increase their profit margins and put many workers on the scrapheap – resulting in the Luddite movement.

If Lorca is to be considered reliable, then among the victims of the disruptive innovation in the 23rd century are restaurant owners. Perhaps fewer people are eating out, preferring to eat at home, as is the case with cinemas in real life? Perhaps the end of food scarcity has made sales of food less profitable? I love the action-adventure side of Star Trek, but I hope the details of how Federation society functions, the winners and losers of change, are explored regularly. One of the great joys of Star Trek is the opportunity to explore what a near-utopian society would look like, and who would lose out by moving to that system.

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