Egotism

I’ve Finished Writing a Short Story – Now What?

This is my entry for the monthly Insecure Writer’s Support Group – a monthly opportunity for aspiring writers to have a whinge about the roadblocks we’ve came across while developing as a writer, and to offer each other support and advice. You can pay some of my fellow IWSGers a visit, and sign up yourself.

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Between December and February I wrote a short story, from beginning to end – a 7500 word Victorian era mystery. Roughly halfway through February I reached the point where I was happy with the finished version – the period details felt authentic to me, there’s a conflict between characters, and facts held back from the characters and the reader are slowly revealed as the mystery unravels.

Since then I’ve shared the ‘finished’ version with a few people, and received bits of feedback to refine it slightly, but I’m not sure whether to go one way or the other. The additions will mean expanding what I’ve written, but I was trying to stick to a word count for a magazine’s submission guidelines, and I’m already significantly over.

Generally I’m more inclined towards aiming for traditional publishing than self-publishing (either in hard copy or as an e-book), as I’d prefer the greater publicity of an established audience (in this case a magazine) and I’d prefer to have the publicity dealt with by someone who specialises in that area (for a novel). But on the other hand, there are practical considerations that mean I might not be able to publish my ideal version of the story… even if it’s accepted.

Part of the reason I’m wary is because of an experience with an earlier finished manuscript. In March of last year I completed a short supernatural story that I called The Eternal Hunt, which I sent to a few magazines for publication – they all either rejected me or didn’t reply. I’ve thought about self-publishing my latest story as an e-book, maybe through Smashwords or something similar.

For now, I’m working out a second story led by the same characters. Maybe I’ll be able to cannibalise some of the character elements for the second story, as a way of making the first story shorter without having to eliminate things from the larger world I hope to eventually create. And more importantly, I should strengthen my idea of what themost important parts are of the stories I’m trying to tell, which elements of the larger world and themes are most important, and whether there’s anything I can get rid of entirely.

I’m aware of the importance of compromise, and it may well be that the magazine make editorial changes that improve the story. But there’s also the possibility that the interests of the magazine in question and my story may come up against each other. An editor of a magazine that publishes short fiction will naturally want a story of X thousand words that enthrall and entertain their readers… but fitting into that limit will probably be more important to them than having the thematic depth and character insight that I want it to have.

Given that this is my IWSG entry, I’ll throw the comments section out for advice. Those of you who’ve self-published, would you go down the traditional route if you could? And have you faced the challenge of having to cut something you really like to fit a word count?

Egotism

How Can You Miss Me If I Don’t Go Away?

This is my entry for the monthly Insecure Writer’s Support Group – a monthly opportunity for aspiring writers to have a whinge about the roadblocks we’ve came across while developing as a writer, and to offer each other support and advice. Click here for a full list of participants and to sign up. Unless you don’t want to, of course – no-one’s going to force you. Probably.

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Egotism

IWSG: Spinning Plates

It’s the first Wednesday of the month, which means it’s time to have a whinge at myself in the name of the Insecure Writers’ Support Group.

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I’ve been writing a fair bit over recent months, trying to keep a variety of plates spinning, writing for different sites on varied subjects.
There are many writers who are much more prolific than me, but I’ve been stepping up the amount of writing I’ve done – most of it web-based, as well as writing a few bits of fiction.
I have let down a few people, unfortunately – for instance I discussed writing something topical as a guest author, but because of being busy/having less than ideal time management, I let it slip away. I’ve got a similar backlog of what I think are decent ideas tucked away in the back of my head or in a Word file somewhere or other.
I’ve also found that working on so many things at once can lead to making daft mistakes.

For instance, in recent months I’ve been writing about football statistics for Squawka.com.
One of the problems with writing on a statistical basis about players I’ve only watched irregularly is that I feel that people who watch the players on a regular basis, who’ve seen every game that player has been involved in, will know things about the player’s performances that I’ve not seen.
I  made one particularly amateurish mistake – in a piece talking about Manchester United midfielder Nani, I mentioned in passing that his midfield rival Antonio Valencia was in his second season at the club – it was actually his fourth.
Obviously this kind of thing isn’t all that important, and didn’t affect the broad strokes of what I was arguing… but it’s still annoying to let that kind of mistake slip by.

I’m a fiction writer by instinct, and find research a bit stressful.
As much as I enjoying expanding my knowledge, learning more about the subjects that interest me, I find myself thinking about the information I’m not seeing as much as what I am. I’ve been writing a ‘Lower League Week’ for a year and a half now, and it can be a bit difficult to get my hands on information for some of the less well covered teams in England’s professional leagues. Coverage of what’s going on inside the clubs can be hard to come by, and there’s always the worry of local media glossing over the complications to keep their contacts inside the club, and fans reactions being clouded by emotion, often over-reacting one way or the other.
Personally, I prefer to get the foundations right, and then go off on tangents, inventing my own stuff. Unfortunately, I think this tends to be frowned on in factual writing.

I've been told dozens of times that the phrase 'and then the cake came to life and invaded the pitch' has no place in a football match report.
I’ve been told dozens of times that the phrase ‘and then the giant cake came to life, looking down upon the pitch with it’s cherry stalk eyes’ has no place in a football match report.

Stieg Larrson, a very influential journalist in his field, reportedly wrote the ‘Girl with a Dragon Tattoo’ books in the evenings, as a way of unwinding. Previously I hadn’t been able to understand that – I’m generally the kind of writer to plan things out in massive detail in advance, before getting started. I take story structure and character development very seriously, it winds me up enormously when a character behaves in a way that I feel clashes with their previously established behaviour, or a twist comes along that feels forced and artificial.
But I’ve been finding in recent months that, when I’ve got so many ideas going round in my head, there’s some that excite me more than others, and it’s useful to think of those as a kind of treat – things I can let loose and be more natural when writing, without worrying quite so much.
It might not be the ideal way to accomplish it, but one of my key aims when setting up this blog was to get myself writing more quickly and on a regular basis, rather than trying to make everything perfect, moving at a snail’s pace, and finishing nothing.
I’m currently trying to reach a pace of writing that I find difficult, but it’s better than the alternative.

As with actual spinning plates there are techniques to make the trick easier.
Just this past week I’ve gotten half a story written on Sunday night, 2 and a half thousand words written in a few hours. Not only was this a decent achievement by my standards, it left me feeling refreshed, and more energised for the factual work I had in my ‘to do’ list. I’ve also enjoyed collaborating on what could be a rare case of football-themed comedy that actually ends up being funny.

Really, I need to be better at both de-stressing and forcing myself to sit down to get first drafts of things completed. I’ve still got a lot to learn, but I feel as if I’m moving in the right direction.

Egotism

The Mess Inside A Writer’s Mind

I’m sat here writing on Tuesday evening, a mess of more or less unrelated ideas flying around my head.

I’ve been thinking about statistics – how numbers are absolute, but the meaning is flexible. I’ve been wondering how exactly a character gets a cult following. I’ve received a blank envelope recently, which I know is the result of an administrative error, but I’m unsure what type of error – and I’ve been wondering if there’s the potential for a story growing out of it.

I’ve had two different pieces of writing published by two different sites today, and I’ve currently got two more longish things half-written. On top of all that, I’ve only just realised in the last ten minutes that, with today being Tuesday and the last day of the month (two things I realised separately) that makes tomorrow the first Wednesday of the month, and therefore Insecure Writers’ Support Group Day.

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Continue reading “The Mess Inside A Writer’s Mind”

Egotism

Unfreezing the Writers Muscle

This is my submission for the Insecure Writers’ Support Group for February. There’ve been a few blogs I’ve came across through IWSG in the last two months that I’ve not kept up with, so if I gave the impression I’d be reading your blog regularly but haven’t, it’s a matter of bad time management, not me trying to manipulate you!
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